Image, as a mode of cognition, constructs our expectations and experiences in advance. Rather than liberating perception, it directs and conditions it — shaping how we live, not freeing it.
In this walk, a refusal of vision enters as a form of resistance: a way to step outside the dominance of image, to search for modes of knowing that do not rely on seeing.

Set in an absurd conversation, the work strips experience down to its most basic questions, prompting a re-examination of what is often taken for granted. Experience and identity shift continuously, misreading and imagining each other. Yet these attempts often fail — and in their failure, they only reveal how tightly image remains tied to cognition.

Does reaching the end of the street mean exhausting all streets? The absurdity posed in the work remains unreachable in daily life — and yet, perhaps, daily life itself is already absurd.